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Writer's pictureDaisy Riley

The White Shirt: A Blank Canvas

The White Shirt: A Blank Canvas for Gender, Power, and Rebellion


Ah, the white shirt. Equal parts unassuming and iconic, it’s a piece of clothing that has quietly watched centuries of human drama unfold. It’s been starched into power, softened into rebellion, and stolen outright from the other side of the wardrobe (who hasn’t taken their partner’s white shirt at least once?). But don’t let its simplicity fool you—this garment is as loaded with meaning as it is with the occasional coffee stain.


The White Shirt as a Marker of Status


In the 18th century, white garments—including shirts—were everywhere, for everyone. The practical reason? White fabric was easy to bleach and clean, making it ideal for hygiene. Men across all classes wore white shirts as undergarments, and women wore chemises or shifts that served the same purpose. Babies, too, were swaddled in white gowns for similar reasons—it was functional and could withstand frequent washing.


Where the distinction emerged was in visibility and quality. For wealthy men, the white shirt was often visible at the collar and cuffs, starched to perfection and worn beneath coats or waistcoats. It wasn’t just a garment—it was a declaration of status, suggesting you had the means (and servants) to keep your whites spotless. Meanwhile, working-class men wore simpler, rougher linen shirts as underlayers, practical and far less pristine.


Women, on the other hand, typically didn’t wear what we’d recognize as “shirts” during this period. Their white underlayers stayed firmly beneath more structured outer garments, like bodices and gowns. White as outerwear for women didn’t come into vogue until much later, with the rise of simpler silhouettes in the 19th and 20th centuries.


The White Shirt Goes Rogue


But, of course, rules are made to be broken. Enter the iconoclasts—women who looked at the white shirt and said, “Why should they have all the fun?”


Marlene Dietrich led the charge in the 1930s, strutting through Berlin and Hollywood in tuxedo shirts and trousers like she invented androgyny. Was it shocking? Absolutely. Was it chic? Beyond measure. Dietrich’s white shirt wasn’t just a piece of clothing; it was a statement that said, “Gender is boring, let’s play dress-up instead.”


By the mid-20th century, the shirt had fully crossed gender lines. Audrey Hepburn wore hers with effortless gamine charm in Roman Holiday (1953), while Diane Keaton turned it into the quirky backbone of her Annie Hall (1977) wardrobe. The message was clear: the white shirt wasn’t just for men anymore—it was for anyone with style, nerve, or the good sense to appreciate a truly versatile piece of clothing.


Movements and Meaning


The white shirt also became a uniform of rebellion. From the feminists of the 1960s and 70s who adopted men’s clothing as a way to challenge gender norms, to the punk movement’s DIY ethos that reimagined “formal” as “formidable,” the shirt has been torn apart, reshaped, and recontextualized over and over again. Even today, brands like Jil Sander and Alexander McQueen reinterpret the white shirt in ways that scream, “Yes, I’m classic, but I’m also kind of dangerous.”


Workwear, Uniform, and Camouflage


The white shirt’s ubiquity in workwear and uniforms is another chapter in its story—a way to blend in, comply, or even disguise. It’s the go-to piece for office drones, servers, and students alike, offering just enough polish to make you look professional without giving anything away. And sometimes, that’s the point. In films like American Psycho, the pristine white shirt and suit are more than just fashion—they’re camouflage for something far darker.


But even within its role as a uniform, the white shirt refuses to be boring. In Clueless (1995), Cher layers a tailored shirt with a plaid mini and cardigan, turning schoolwear into high fashion. In The Craft (1996), a simple shirt becomes a canvas for gothic rebellion, tied, untucked, or paired with leather and combat boots. As much as the white shirt can help you blend in, it also invites personalization, rebellion, and reinvention.


Why It’s Still a Staple


So, why does the white shirt endure? Because it’s a blank slate. Whether you button it to the neck for prim precision or let it hang loose over jeans like a rebel who can’t be bothered, it molds itself to you. It’s one part chameleon, one part philosopher, and entirely too practical to go out of style.

But perhaps its most fascinating trick is its ability to mean so much while saying so little. Is it power or playfulness? Masculinity or femininity? Old-school or avant-garde? It’s all of the above, depending on who’s wearing it and how.


The Next Time You Wear One…


Consider this: when you slip on a white shirt, you’re not just getting dressed. You’re joining a centuries-old conversation about gender, class, power, and individuality. (No pressure or anything.)

So go ahead, wear it however you want. Channel your inner Hepburn, Dietrich, Draper, or Keaton. Just don’t spill anything on it—nothing ruins an existential fashion moment like tomato sauce.

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